Designers and audiences are feeling for more intimate shows this fall. Jason Wu secured the bijoux Peter B. Lewis Theater at the Guggenheim as his location. “I wanted to change it up a little bit,” said Wu, who did so not only by moving his collection uptown, but through design as well. “I’ve been in the industry for a minute and I feel it’s important to push myself,” he said. “I think you know I love dresses, right? But tailoring is also something I love—I actually majored in menswear.”

So it makes sense that Wu chose Marlene Dietrich as his muse this season. The German actress used fashion to play with gender at a time when such things were taboo, and the mix of masculine and feminine elements in her wardrobe inspired one of Wu’s strongest offerings to date. Change was evident from the first exit, a gray blazer/dress with a sculptural ruffle over one hip and an unfinished lapel in the deconstructionist mode the designer favored this season. It was a nice way to build upon the ’90s influence he introduced last spring.

The collection offered both flapper and hourglass silhouettes. In the latter category was a red blazer in toy-soldier red. Also nicely fitted was what might be a perfect LBD, with a scoop neck and angled seams and an asymmetric skirt under which fringe fell ever so gently, like stamens from a flower.