“We have some very exciting news,” says Delphine Arnault, chair and CEO of Christian Dior Couture, as she sits down with Vogue Business. “Jonathan Anderson is going to be the head of creation for Dior, across men’s and women’s, couture and accessories.”

On Thursday, the house announced that Maria Grazia Chiuri would be stepping down from her position as creative director of women’s haute couture, ready-to-wear and accessories. Kim Jones left the brand in January, and Anderson was confirmed as artistic director of the men’s collections in April. “Over the last 11 years that he has been at LVMH, we have had many discussions about what he wanted to do next. And there was always one brand he was very attracted to,” says Arnault. “We think this is the right moment to make this appointment. He is the most talented designer of his generation. He has great experience within the LVMH Group and in managing large teams through his work at Loewe, even though he is only 40. More importantly, he has a very clear vision for the brand.”

Now, with a single artistic director for both womenswear and men’s, the house returns to the organisation it had in the days of Christian Dior, Arnault notes. “I think this is going to be great for the maison. There will be consistency and coherence in the products, but also in terms of communication, I think our message will be much clearer,” she says. “Of course, it’s a big responsibility, there’s a lot of connections that need to be made. For any house, having new artistic direction can be a challenge. It takes a few seasons to see exactly what the vision is. But I think he’s totally energised by the idea.”

Arnault continues: “He can rely on our great team — we have amazing studios with amazing creatives, the best in the world of haute couture, ready-to-wear, across men’s and women’s. And he’s also bringing a team of people he trusts that have been working with him for a while.”

Anderson was appointed creative director of LVMH-owned Loewe in September 2013. He was then a 29-year-old designer with a fledgling business. He created his namesake brand JW Anderson in 2008, in which LVMH took a minority stake in 2013. “I remember meeting him for the first time in a showroom in Paris, where he was showing JW Anderson. He must have been 23 or 24 years old,” Arnault reminisces. “He had rented a small apartment by Gare du Nord, on the fourth floor. I rang the door and he opened. He was younger, but the same as today: very talkative, with a great vision and very mature for his age, very impressive. That’s when we decided to invest in his brand and later to appoint him at Loewe.”

During his tenure, Loewe became one of luxury’s hottest fashion brands. His Spring/Summer 2025 show received a standing ovation from many of his peers (Sarah Burton, Pieter Mulier, Adrian Appiolaza, Nicolas Di Felice, Kris Van Assche, Pharrell Williams and Michael Rider, each in attendance) as well as Arnault. Loewe’s sales went from approximately €230 million in 2014, according to Morgan Stanley estimates, to between €1.5 billion and €2 billion in 2024, per estimates of Bernstein analyst Luca Solca. Loewe still ranked first in the Lyst Index of the hottest brands in the first quarter of 2025. Anderson’s exit from Loewe was announced in March, and a week later, he was replaced by Proenza Schouler founders Jack McCollough and Lazaro Hernandez.​​