The Realm Of Vision Group Exhibition, Tang Contemporary Art 

Zhang
Zhang Jian, Tony, 2025, oil on canvas, 130 x 162 cm
A
Zhao Peizhi, Red Shapes , 2023, acrylic and oil on canvas, 220 x 360 cm
at
Yafeng Duan, OT-Nr. 18-2024 , 2020-2024, mixed media on canvas, 70 x 25 cm
Zhang Jian, Tony, 2025, oil on canvas, 130 x 162 cm
Zhao Peizhi, Red Shapes , 2023, acrylic and oil on canvas, 220 x 360 cm
Yafeng Duan, OT-Nr. 18-2024 , 2020-2024, mixed media on canvas, 70 x 25 cm
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The Realm Of Vision unite the works by artists Zhao Peizhi, Zhang Jian, and Yafeng Duan, who each explore representations of the external world while turning their gaze inwards. Zhao focuses on the “emotional sedimentation” of individual memory and social concerns through figurative paintings of bold colours. Zhang depicts natural and urban landscapes, which become witnesses of time and vessels of emotion and memory. Meanwhile, Duan is deeply influenced by the Chinese philosophical concept of ‘qi’ or vital energy, creating paintings that capture a ‘spiritual breath’. 

When: Until June 28, 2025
Where: 10/F HQueens, 80 Queen’s Road, Central

Salvatore Emblema Solo Exhibition, White Cube

Salvatore
Salvatore Emblema, Untitled , 1970, Raw pigments on de-threaded jute canvas, 100 x 120 cm
Salvatore
Salvatore Emblema, Untitled , 1979, Raw pigments on de-threaded jute canvas, 170 x 120 cm
Salvatore Emblema, Untitled , 1970, Raw pigments on de-threaded jute canvas, 100 x 120 cm
Salvatore Emblema, Untitled , 1979, Raw pigments on de-threaded jute canvas, 170 x 120 cm
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Born in a small town on the slopes of Mount Vesuvius, the late Salvatore Emblema was extremely familiar with the volcanic terrain of southern Italy. His solo exhibition at White Cube explores how landscape has influenced the material composition and concepts of his work, and the artist’s engagement with site, matter, and surface. From the beginning of his career, Emblema has worked with pictorial surfaces with an innate textural quality and organic pigments composed of lapillus stones and agricultural residue. Spanning four decades of Emblema’s career, the exhibition showcases his expansive colour fields and his acute sensibilities to the boundaries of painting. 

When: Until July 5, 2025
Where: White Cube Hong Kong, 50 Connaught Road Central

Reframing Strangeness: Ha Bik Chuen’s Motherboards and Collagraphs, Para Site

Ha
Photo: Felix SC Wong
Photo: Felix SC Wong
Photo: Felix SC Wong
Photo: Felix SC Wong
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On the occasion of Ha Bik Chuen’s 100th birth anniversary, Para Site presents an exhibition that refocuses Ha’s printmaking practice. The Hong Kong-based artist coined the term ‘motherboard’ for his collagraph plates, which was a way for Ha to explore a “unique modernist visual vocabulary” and his passion for “obsessive record-keeping of all kinds”. Over his life, the artist created over 100 motherboards to produce over 3,000 editioned collographs. Curated by Michelle Wun Ting Wong, the exhibition brings to view a selection of Ha’s motherboards, which were kept from public view, alongside collagraphs and gouache drawings, offering a re-reading of Ha’s art practice. 

When: Until August 10, 2025
Where: 22/F, Wing Wah Industrial Bldg., 677 King’s Road, Quarry Bay

On Kawara: Rules of Freedom, Freedom of Rules, Tai Kwun

On
On Kawara, I Got Up , 1968-1979
On
On Kawara, Today series, 1966-2013
On Kawara, I Got Up , 1968-1979
On Kawara, Today series, 1966-2013
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Spanning five decades of work, On Kawara: Rules of Freedom, Freedom of Rules marks the first institutional solo presentation of Kawara’s works since his passing a decade ago. At the heart of this iconic conceptual artist’s distinct systematic approach is the meditation on time, presence and meditation, fuelled by a constant negotiation between “self-imposed creative rules” and “lived experiences”. This major retrospective examines Kawara as both a global citizen and artist-philosopher and how his works “find stability within perpetual movement”. 

When: Until August 17, 2025
Where: JC Contemporary, 10 Hollywood Rd, Central

Cy Gavin Solo Exhibition, Gagosian

Cy
Cy Gavin, Untitled (Nurse log), 2024, Acrylic and vinyl on wood panel, 127.6 x 127.3 x 6 cm
Photo: Owen Conway, Courtesy Gagosian
Installation
Cy Gavin, installation view
Photo: Ringo Cheung, Courtesy Gagosian
Cy Gavin, Untitled (Nurse log), 2024, Acrylic and vinyl on wood panel, 127.6 x 127.3 x 6 cm
Photo: Owen Conway, Courtesy Gagosian
Cy Gavin, installation view
Photo: Ringo Cheung, Courtesy Gagosian
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Gagosian presents a series of new paintings by American artist Cy Gavin, marking his first exhibition in Asia. Gavin describes this exhibition as a “reunion of paintings”, as he draws new conclusions from a fresh arrangement. He interprets natural spaces and phenomena, including depictions of plants, spiderwebs, and cosmic structures, through vivid hues on mainly unprimed wooden (birch) panels. With spaces left unpainted, visible wood grain becomes a feature in the composition of paintings. With Gavin being an artist and a devoted gardener, he observes his surroundings and commits them to paint. Themes of disintegration and regeneration echo through a painting of a dead tree broken by the wind, while his largest painting on show depicts life-size flowering plants which are heliotropic, following the sun’s motion.

When: Until August 22, 2025
Where: 7/F, Pedder Building, 12 Pedder St, Central

Zoran Music Solo Exhibition, Axel Vervoordt

Installation
Zoran Music, installation view
Installation
Zoran Music, installation view
Zoran Music, installation view
Zoran Music, installation view
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Axel Vervoordt Gallery Hong Kong presents Zoran Music’s debut exhibition, showcasing paintings from the 1960s-1980s. A respected Slovene painter, Music’s works capture harsh personal realities, including his captivity in the Dachau Concentration Camp during World War II. Of muted hues and minimal material, Music’s works are coarse with pain but don’t lose hope of survival, exploring themes of landscapes, nude figures, vegetal motifs, cathedrals, and self-portraits. Separated into three rooms in a chronological order, the exhibition first confronts visitors with a lonely figure, striking melancholy. The first room focuses on landscapes, while the second vegetal motifs, and the last Venice, his favourite city, where he found freedom. 

When: Until August 23, 2025
Where: 21F, Coda Designer Centre, 62 Wong Chuk Hang Road

Tongues of Flare by Li Hei Di, Pace Gallery

Hei
Hei Di Li, Details of October grass (十月细碎的草), 2025, oil on linen 64.9 cm × 56 cm
Installation
Tongues of Flare, installation view
Hei Di Li, Details of October grass (十月细碎的草), 2025, oil on linen 64.9 cm × 56 cm
Tongues of Flare, installation view
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Pace presents a collection of riveting new works by emerging Chinese artist Li Hei Di. This exhibition spotlights 11 new and never-before-exhibited paintings and a new wood sculpture, culminating in “the most vulnerable and diaristic works that Li has created to date”. Their luminous and dreamlike paintings are embedded with repressed and fulfilled desire, flowing with emotions and latent narratives about gender. Ruminating about selfhood, Li uses the flow of water as a metaphor for the process of becoming one’s self. As with past paintings, literature is a source of inspiration, and Han Kang’s The Vegetarian is a particularly stimulating in the artist’s ideas about sexuality, monstrosity, and transfiguration. 

When: Until August 29, 2025
Where: 12/F, H Queen’s, 80 Queen’s Road, Central